Stretch beyond your reach and leap out of yourself

Hemingway said when asked about his method in writing: ” Sometimes I have good luck and write better than I can.”

First time I read that interview I had to do a double take, and then another because to my surprise I knew it…… Not being a writer or artist, I too had experienced that precise feeling of some achievement of mine being clearly above my usual best. Like the pole vaulter who looks incredulously at the bar he cleared effortlessly despite expectation of the opposite.

I am sure that Ernest Hemingway and I and the pole vaulter are not the only people who now and then surprise themselves with an achievement beyond the expected.

There is a myth that humans only use ten percent of the brain’s potential. One of the people credited with “the 10 percent myth” is William James, the psychologist (brother to Henry, the writer). He is quoted saying that our brain is merely idling at 10 percent of its true capacity. He did so in a paper from 1907. Hemingway, nine years old at the time was most certainly not aware of Dr. James’ paper.

The theory that humans use only 10 percent of their brain’s capacity is still alive and well despite being considered folklore by Science because imaging studies have debunked it as myth. With the aid of sophisticated brain imaging intellectual activity has been shown quantitatively involving the brain in a pan-global pattern and not just focally. Interesting basic science but hardly proof of what we are capable of. A little like trying to describe the taste of an apple by measuring the sugar content.

Accounting for the interplay of skill, intellect and inspiration (not considering the plethora of other components that fuel any performance) is beyond the scope of 3D multicolor mapping by functional PET scan, MRI and other signals that light up a monitor in a laboratory. Maybe those imaging studies are only 10 percent of the explanation of the 10% Myth (to paraphrase Bernard Sanders)!

Gone Frescoing

To put Vermont behind me and spend the darkest New England months in Italy! To escape the unholy trinity of snow, sleet and freezing rain, to not fear for life and limb, and to walk anywhere without crampons on your shoes, that would be worth the money and even the discomfort of transatlantic air travel.

Visiting towns below the radar of international tourism is delightful. Although winter months in Umbria can be brisk and wet, the climate is still several orders of magnitude better than that of New England! It is sweater and windbreaker conditions but offers great walking of both city and country scapes. And , of course, it is Italy with real Italians and real Italian food!

Central Umbria is studded with hill towns characterized by steep passages and streets where old men and women struggle up and down, yoked with overstuffed plastic bags ..…a Via Dolorosa, at least once a day. Not shouldering the Cross, but laden with “pane, prosciutto and aqua minerale”.

Even the smallest hilltown has more than a few churches and they all harbour frescoes. Many worthy of sustained admiration, some less so, but all demand more than a fleeting glance from you. The motifs range from naive to profound and the execution is masterful. No wonder this richness of church art, we are, after all, in the epicenter of European civilization of the late middle ages and the renaissance . The best fresco masters of the period were courted by town fathers and clerics eager to make theirs the most beautiful church of the region.

The backdrop for the biblical themes always reflect, not the Holy Land, but the local verdant geography. As if the painter has merely glanced out the window or maybe climbed the campanile to get a better view of the stage behind the Holy Family.

Most of these churches have easy opening hours and no admission fee, but you may have to drop a couple of Euros in the box to turn on the light. Five minute limit to avoid undue fading of the pigment in the plaster protected for nearly a millennium. Thus flipping the light on and off evokes the sense of a peep show although there is nothing tawdry about the the object of your interest. The time restraint also adds a little urgency and gravitas to the moment, a committed concentration to fully take in the specter in front of you, before the light disappears. Wonderful things are everywhere when you widen your view and deepen your focus.